Héctor (
unpocoloco) wrote2019-01-06 04:17 am
Entry tags:
Daybreak IC Inbox
HéctorUN: OLLIN
STATUS: Graduate Student / Teacher's Assistant
ACCOLADES: I write music, know how to play a few instruments, mostly la guitarra.
BIO: !Hola¡ Soy Héctor. Yo hablo español y un poco inglés. I've come to Daybreak to learn a little about all this magic stuff and help out around the Campus. If you need an odd job taken care of, I'm your guy! (Unless you are la policía. Or someone I have borrowed from. If that is the case, do not contact me, por favor.)

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The compliment catches her off guard. She looks up and over to Héctor, words failing her. He was always saying things like that, years ago. It was one of the charming things about him--one of the things that she fell hard for. The way he could speak truth from his heart and build her up. The way he was always there when she felt like she was falling.
"I'm not sure how I feel about the ban right now," she admits, looking away again, but not without a flush to her cheeks. "Or myself. It's... I feel like she's still there, like she didn't fall neatly back into place. All of her extra thoughts and feelings are still out of place." Including the ones that she had about herself and about music... and about him.
"Is it the same with you?"
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He listens. He takes care not to mention that flush. He thinks he understands what she's saying but his mouth presses at her question all the same. How to put it...
"Teto... we don't... feel too different. What I hoped for or was afraid of, it hasn't changed much. Mostly it just kind of makes older disappointments fresh again." Putting it very, very lightly.
"There's a few differences of course, like the fame thing. That was always Ernesto's dream and I just bought it." He breathes deep and smiles down at the ground. "And on the other hand... Coco. I had no idea how much it would mean. How it would feel... the best days of my life, being her Papá." He thinks a little more and says, "I feel less tired, I think. Like I could do more, maybe. I got to play for you. That was nice. I do want to play more thanks to him but I don't know." He shrugs.
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He mentions playing for her just now, and her expression shifts yet again to something a little more troubled.
"Teto said you don't really play anymore. That it... Makes you sad. Is that true?"
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"It's... a little more complicated than that. Not as simple as sad, for me." Though immediately he regrets saying that, as it means having to explain.
"But, no, I don't really play anymore. Or at least not as much. I stopped performing a long ago. Played every now and again for people I traveled with or people who were- who didn't have anywhere to go, but some things happened, I stopped wanting to play much at all, and then when the guitar I was using finally broke it was easier to just... not." He shrugs. "I keep being drawn back to it, like a bad habit, I suppose. But eventually, I'll kick it. Or, that was my plan."
Once again, he's less sure now. Especially what with her saying he ought to hang on to the guitar he "borrowed" from this place.
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"Some things being... when I found you?" She looks at him more directly, if only to prompt an answer from him that he can't side step. "Am I the reason you stopped wanting to play? Because I was angry with you?"
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"No! No," He says, trying to do anything but look at her now. "No, it's not just that. It's a lot of things." His brow furrows, frown deepening as he keeps his gaze to the ground. If his hands were free he'd rub at his arm.
"I went on that tour and I was- I was happy when we played but otherwise I was miserable. I performed for all these strangers I didn't know and stayed in strange hotels and I died for it." There's a sort of breathless disgust with himself that even he can't disguise. "I hung onto music to hang on to Coco or for people who seemed like they needed it. And, okay, when you found me that put a lot in perspective but it wasn't the only thing. I'd never thought it was a choice, but it was and I chose wrong. And then Peter shows me what Ernesto's done since I died and for the first time I really heard the way it all sounded-- how I must have sounded. If Coco had heard that, I couldn't bear it. You had your ban and sometimes I thought maybe that's what I should be doing."
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There's a bit of silence after her words, followed by a small sigh. "And I know that Coco has always hated my ban on music. She'd be upset with you if you followed my lead. And upset with me for... messing us up so badly."
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"Imelda, you didn't mess us up. I did. I left. I was selfish. I might not have enjoyed the tour but at the end of the day, I wasn't different at all. That's what I'm saying, he took my songs, made them about him, but he didn't have to change a word. What does that say?"
He shakes his head. "More importantly, our daughter would never think such a thing of you. Our Coco? Even if she was not happy, she would never think of you so poorly. You're her Mamá, Imelda. She loves you. No matter what kind of teenager she becomes I can't imagine that's not true."
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"I know she does... but I still hurt her. When I realized you weren't coming back, I threw out everything that reminded me of you. I made Coco do the same. She was so upset, but I couldn't bear to watch her waste her life waiting for you." She was so young when he left. A child that young should be playing and making friends, not sitting at the window and waiting for her Papá to come home. It... felt a little like she had lost both of them sometimes.
"I was just trying to do what was best for her... But she was right. This whole time. I forced that pain on her for no reason at all. And I did the same to you, pushing you away like I did."
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His little girl. His dancing girl. Did she still dance? He guesses not.
"...You didn't know," He says quietly. "You couldn't have known. And I wouldn't want her life wasted either. It's like you said. You did what you thought was best. And as for me, I'm not angry." Hurt, a lot of other things, but there was never a moment beside the initial event in which he didn't understand.
"I'm going to apologize to her when I see her again. I'll hug her so tight. And if she wants a song, if you're allowing it, I'll give her a million. But I'll tell her you meant to protect her. And if I still know my little girl, she'll believe me." He doesn't doubt it though. Not for a moment. "If the music makes you unhappy, you don't need to force yourself. I can give her that and still let you have your peace. The past is done, but we have the future. We can do anything, Imelda, whatever would make it right. Even... run away together as a family." The joke comes with a soft laugh. "You, me, Coco... your hermanos."
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But he keeps going, and she doesn't stop him. She probably should, but soon he's talking about running away together, and the reference to their silly idea does make her smile despite herself.
With a little reluctance, she plays along. "If we're bringing all five of us, then what are we running away from? Why not just stay in Santa Cecilia?"
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"Responsibilities," He says easily. "We can run away to the yard, put up a tent and camp there. No schools, no work, no mage business. The five of us together and not a care in the world. Except for pillow fights. We'll do all our favorite things together. Tell a million stories."
It sounds idealistic. It is. But he doesn't think that should stop them.
"But my point is, if you're sorry, that's all you've got to tell her. You do whatever you feel you need to, whatever you can, and whether it makes up or not isn't really the point. But I'm sure, she'll forgive you, if she hasn't already." So maybe, just maybe, she can forgive herself.
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He brings her back down just as gently, coming back to the more pressing topic at hand. She knows that her daughter will forgive her. She's every bit as kind and gentle as her Papá, but admitting that she was wrong all those years ago... That's a tall order for her. An even taller order is forgiving herself.
"I know... She's a kind, sweet girl--like someone else I know." She gives Héctor a side glance, but doesn't elaborate there. "I was thinking, though... Do you have time later this evening? Around eleven?"
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He smiles to think of Coco, his Coco. But he lifts a brow at Imelda's sideglance, as though he doesn't know who she could mean. She leaves him in the dark.
"Eleven? Not that I can recall. Wasn't setting up too many things with Teto running around. What's on your mind?"
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"Well... When it's eleven o'clock here, it's four in the afternoon in Santa Cecilia. Coco would just be getting home from school, and that's usually when she calls." She slows her pace, one hand lifting to touch against his elbow--to steady him if he needs it for what she's about to say.
"I was thinking that we should tell her that you're here. Tonight. If you're ready for that."
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His eyes lift to stare at her, and more than any other time, even as a screaming monster, it's written on his face and in his eyes how desperately he wants. And for so long. But he doesn't quite manage to speak.
When he tries, what comes instead is a shuddery breath, not close enought to a laugh to be called that. His mouth presses and he blinks, trying to control himself.
The moment he does manage to find his voice, it comes out a croak. "Tonight? I- S-si. I... we? You want me... to be there?"
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She nods to his question, just a small movement of her head. An exhale. "She'll want to talk to you." She's certain of that. "If it's too soon, I can wait. Or tell her some other evening, but that would only work for so long..."
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He feels dizzy, though there's no reason he should, breathless despite lacking the need for it. Every word she speaks feels like a new imprint on his heart. She'll want to talk to you.
"I want to talk to her," He hears himself say, choked by the want. "I want to talk to my little girl."
Nothing could be too soon. He wishes it were sooner.
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"Tonight, then. When she calls, I'll explain the situation to her. That you've been sick, and they're treating you here. If she asks to visit, then we tell her not right now. Phone calls, texting--Those are fine. If you get those video calls to work... Those are okay, too. Just be very careful about what you show her."
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"Thank you," He says, struggling not to cry. "Thank you, Imelda, thank you." He has to take a minute, maybe two, as he tries to collect himself.
"I'll be careful," He promises. "I won't let her see anything. No magic, or going too late." Just talking to his little girl. Just asking about her, hearing her voice.
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"You're welcome," she says quietly, though it feels strange on her tongue. She was the one keeper them apart, after all. She's not so sure that she deserves his thanks simply for relenting. But he's happy enough in this moment that she doesn't point that out.
"I'll write the number down for you when we get back, and we can give her your number tonight. And... please don't tell her about everything that's happened here. With you, and with us. I just don't want her to worry."
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He shakes his head. "No, no. I don't want to tell her all that. I just want to know about her. I want to hear it all from her. Everything." Every little thing he's missed. He ducks his head but it doesn't help. Those tears leak free. He laughs helplessly without the means to wipe them away.
"Discúlpame. I've just... it's been so long. I've missed her so much. I didn't think... I'd *hoped* maybe by next year..." It's not holding her or seeing her face but it's still so much more. And by doing it like this she's still safe. His throat is painfully tight.
When he finally manages to speak again, albeit in a croak, he asks, "Should I keep the Outlands from her? I don't know how else to explain why I didn't call. Except maybe a coma."
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"You were lost in the Outlands for a very long time, and it made you sick. That's why you're here. To make you better." She lets go of his hand, reaching up to his face to brush some of those tears away.
"You're going to be a mess, aren't you?" She can hardly blame him, especially after the mess she was in his room not fifteen minutes ago. But that won't stop her from teasing with a small smirk on her lips, softened only by the look of fondness in her eyes.
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"I already am a mess," He answers softly. "I'm going to be a disaster. And everyone still in that banquet hall is going to think you teased me to tears or shoved some chopped onions in my face." He tuts, but then quickly laughs again.
"You should've told me later. I'm not going to be able to think of anything else." Under the half-joke, there's some genuine apology. What terrible company he's about to make.
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"Mmm. I didn't want you making plans. I'd feel bad for you when you had to break them." Because she knows by now that he'd drop almost anything for a chance to talk with their daughter. "Besides, if I told you later, would you have panicked? Just think of this as time to figure out what to say."
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